KIM Whanki’s “Four-Directional Composition””
[Untitled]

“Four-Directional Composition”, which appeared in the mid-1960s, clearly revealed Kim’s diverse variations of picture composition. This was a composition scheme in which the four corners of the picture-plane were divided by lines or planes so that a cross shape would form naturally in the central section. Lines were crossed and expanded to make planes, while planes were divided and recomposed to give a sense of expansion, taking our view beyond the boundaries of the picture-plane.

VERSEDAY had joined forces to digitally express this Whanki’s artwork, using LG OLED as their canvas.

"Through LG OLED it that sense, that fact that perfect black and numerous layers of could, be portrayed so precisely was a great pleasure for us, as if we had solved a difficult assignment." -VERSEDAY-