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LG OLED becomes
a digital canvas for artists.

LG believes artists can express their imagination and create a new kind of digital art that were never before available.

What's on

Project 5

Artist 21

  • ANISH KAPOOR

    "Big question is always to do with the quality of the color. And what I've seen is with the screen, the quality of the color is very very high, very rich color. So I'm hoping I can take that richness of color foward and do something with it."

  • KEVIN MCCOY

  • ANISH KAPOOR

  • CECILIA BENGOLEA

  • DAMIEN HIRST

Artwork 36

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    Visit the LG OLED Lounge at Frieze New York where works by Kevin McCoy

    LG OLED inspires ART. LG is committed to making life better through the power of art and technology⁠

    LG’s recent projects, including the global partnership with Frieze starting from Frieze New York 2022 represent this commitment⁠⁠
    ⁠
    Visit the LG OLED Lounge at Frieze New York where works by Kevin McCoy @mccoyspace will be shown on various LG OLED TVs. Follow the journey of LG OLED ART on @LG_OLEDART⁠⁠

    #LGOLEDART #FriezeNY

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    Anish Kapoor, Symphony for a Beloved Sun

    There are now less than two weeks to go until #AnishKapoor's major dual-site exhibition opens across the Gallerie dell’Accademia @gallerieaccademiavenezia and historic Palazzo Manfrin in Venice.

    Tickets are now on sale for this ambitious presentation of both retrospective and new sculpture, painting and monumental installation works that convey the exciting, visionary power of Kapoor’s practice.

    The exhibition has been organised in collaboration with Anish Kapoor Studio and Lisson Gallery, with support from @galleriacontinua, Galerie @kamelmennour, @galleriamassimominini, @kukjegallery, @regenprojects and @scaithebathhouse. Supported by @lg_oledtv.

    Opening 20 April. Find out more at the link in our bio.

    Image: Anish Kapoor, Symphony for a Beloved Sun, 2013 © Anish Kapoor, photography by Dave Morgan. All rights reserved SIAE, 2021

    @marsilioarte #AnishKapoor #AnishKapoorVenice #GalleriedellAccademia #PalazzoManfrin #LGOLEDART

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    Anish Kapoor, courtesy the artist and Gallerie dell'Accademi

    #AnishKapoor's major dual-site exhibition is now open at the @gallerieaccademiavenezia and in the historic Palazzo Manfrin in Venice. @lisson_gallery

    As the first British artist to hold a solo show at the Gallerie dell'Accademia, the breadth and depth of Kapoor’s visionary practice is powerfully captured in this exhibition encompassing painting, sculpture and monumental installations.

    At the Gallerie dell’Accademia Kapoor presents work from his seminal body of early pigment sculptures 1000 Names and Void works, through to never-seen-before sculptures created with Kapoor Black, a ground-breaking nano-technology material, a substance so dark that it absorbs more than 99.9% of visible light.

    The exhibition's second venue begins with the monumental new work Mount Moriah at the Gate of the Ghetto (2022), protruding from the ceiling of the entrance hall, before further connecting back to themes at the Gallerie dell’Accademia, with spiritual moments and rites of passage expressed through Kapoor’s unique visual language.

    Plan your visit at the link in our bio.

    Images © Anish Kapoor, courtesy the artist and Gallerie dell'Accademia. Photography by David Levene.

    @marsilioarte #AnishKapoor #AnishKapoorVenice #GalleriedellAccademia #PalazzoManfrin #LGOLEDARTry #AnishKapoor's major dual-A13site exhibition is now open at the @gallerieaccademiavenezia and in the historic Palazzo Manfrin in Venice.

    As the first British artist to hold a solo show at the Gallerie dell'Accademia, the breadth and depth of Kapoor’s visionary practice is powerfully captured in this exhibition encompassing painting, sculpture and monumental installations.

    At the Gallerie dell’Accademia Kapoor presents work from his seminal body of early pigment sculptures 1000 Names and Void works, through to never-seen-before sculptures created with Kapoor Black, a ground-breaking nano-technology material, a substance so dark that it absorbs more than 99.9% of visible light.

    The exhibition's second venue begins with the monumental new work Mount Moriah at the Gate of the Ghetto (2022), protruding from the ceiling of the entrance hall, before further connecting back to themes at the Gallerie dell’Accademia, with spiritual moments and rites of passage expressed through Kapoor’s unique visual language.

    Plan your visit at the link in our bio.

    Images © Anish Kapoor, courtesy the artist and Gallerie dell'Accademia. Photography by David Levene.

    @marsilioarte #AnishKapoor #AnishKapoorVenice #GalleriedellAccademia #PalazzoManfrin #LGOLEDART

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    Deary Steel

    Esch2022 a collaboré avec @mudamlux pour inviter l'artiste et chorégraphe @ceciliabengolea pour créer « Deary Steel », un nouvel ensemble d’œuvres réalisé sur les sites de production sidérurgique de Esch-Belval, au cœur des Terres Rouges (« Minett »), au sud du Luxembourg.

    Découvrez l'artiste et les commissaires décrirent ce projet ambitieux qui mêle danse, performance, sculpture et installation vidéo.

    ➡️Deux performance de danse au Socle C (fondations du Haut-Fourneaux C à Esch-Belval)
    ➡️Deux performances dans le Grand Hall du Mudam
    ➡️Une exposition (installation vidéo et sculpture) dans le Grand Hall du Mudam

    Plus d'info dans le linktree dans la bio

    🇬🇧 Esch2022 has collaborated with @mudamlux to invite artist and choreographer @ceciliabengolea to create ""Deary Steel"" a new body of work set on the site of the historic steel industry of Belval in the Minett Region in the South of Luxembourg.

    Watch the artist and curators talk about this ambitious new project spanning dance, performance, sculpture and video installation.

    ➡️Two dance performances at Socle C (concrete foundations of Blast Furnace C in Esch-Belval
    ➡️Two performances in the Grand Hall of Mudam
    ➡️One exhibition including video and installation in the Grand Hall of Mudam

    More info via linktree in bio

    Technology partner for video installation @lg_oledart

    @ceciliabengolea
    #DearySteel
    #Esch2022
    #RemixCulture
    @mudamlux
    #OpenMuseum
    @cnsmdlyon
    @troiscl
    @danse_cnsmdl
    @vincentcrpn
    @joelvalabrega
    #lgoledart
    #lgoled

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    LG OLED ART PROJECT #3 SELF-LIT MASTERPIECE I FRIEZE LONDON

    LG x Damien Hirst: A History of Painting

    At Frieze London 2021, LG presented LG X Damien Hirst: A History of Painting, a special one-off exhibition of works by Damien Hirst that explored the creative potential of innovative technology and how it can be a powerful partner for new developments in digital art. @damienhirst

    ​Link in our bio for more information.💡

    #LGOLED #LGOLEDART #SELFLIT #SELFLITMASTERPIECE #FRIEZELONDON #DAMIENHIRST

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    LUX: New Wave of Contemporary Art

    Tickets are now on sale for LUX: New Wave of Contemporary Art
    October 13 - December 18 at 180 Studios.

    “The artists in LUX are working at the very cutting-edge of digital technologies, using artificial intelligence, generative and interactive algorithms, dimensional sound and optical illusion to create a new kind of artistic experiences.” Dr. Jiyoon Lee, LUX Curator and Director of SUUM Project.

    LUX is organised by SUUM Project in collaboration with Fact at 180 Studios, 180 The Strand. It is the second in the ongoing LG OLED ART SELF-LIT GALLERY series, sponsored by LG.

    #180LUX #LUX #SUUMProject #FactMag #180Studios #LGOLEDART
    @180.studios / @suumprojectxxi / @factmag
    #audiovisual #interactive #interactiveart

CONTACT US

NEWS

Further details of Anish Kapoor's dual site exhibition in Venice

April 6, 2022

The Gallerie dell’Accademia di Venezia is staging an ambitious presentation of both retrospective and new works by Anish Kapoor, the British artist famed for probing the limits and materiality of the visible world through works that transcend their objecthood and invite wondrous and sustaining interaction. A further prestigious venue, the historic Palazzo Manfrin in the Cannaregio district, complements this presentation with another major selection of large-scale and genre-defying works.

Curated by art historian Taco Dibbits, Director of the Rijksmuseum in Amsterdam, this exhibition will reveal the full, visionary range of Kapoor’s practice, his painterly sensibilities and sculptural prowess.

At the Gallerie dell’Accademia Anish Kapoor presents work from his seminal body of early pigment sculptures 1000 Names and Void works – through to never-seen-before sculptures created with Kapoor Black, a ground-breaking nano-technology material, a substance so dark that it absorbs more than 99.9% of visible light.

The skin of the object as veil between the inner and outer world has always been a potent presence in the artist’s practice, and here at the Gallerie dell’Accademia, sculptures made with Kapoor Black push this dynamic into radical new territory, in forms that both appear and disappear before our eyes. In these works Kapoor proposes that if the motif of the fold in Renaissance painting was a sign of being, in their obliteration of the contour and edge we are offered nothing less than the possibility to go beyond being.

More unknown forces emerge through a further series of mysterious black works, some embedded in the wall of the gallery, that further explore darkness as a physical and psychic reality. Alongside these works Kapoor’s most recent paintings are strongly debuted, setting up a dynamic dialogue with both the Gallerie’s art historical collection, and his own sculptural language.

The motif of the skin and the fold is further explored through a spectacular, site-specific inflatable work HOWL (2020), that colonises the courtyard, and Pregnant White Within Me (2022), a giant bulge that distends the architecture of the gallery, suggesting a re-drawing of the boundaries between body, building and being. Kapoor commits various sacrilegious acts of shooting at, or cutting into the Accademia’s hallowed walls, turning the very fabric of the gallery inside out.

This second venue of Anish Kapoor’s dual exhibition begins with the monumental new work Mount Moriah at the Gate of the Ghetto (2022), protruding from the ceiling of the entrance hall and created specifically for the partially renovated spaces of Palazzo Manfrin. This pendulous mass of silicone and paint guides visitors through to an equally challenging set of rooms featuring a triptych of similarly seething, silicone paintings, Internal Objects in Three Parts (2013–2015), as well as many influential works from Kapoor’s long and prestigious career, including the iconic pigment work White Sand Red Millet Many Flowers (1982)

Further into the show, a series of mirror works flip and distort the viewer’s expectations of what is before us. Heaven, hell, earth and sea are all invoked, mixed and inverted in public-scale, mechanised works such as the spinning red waters of Turning Water Into Mirror, Blood Into Sky (2003) and Destierro (2017), in which a monochrome blue digger transports tonnes of red earth in an epic display of displacement. Colour for Kapoor is a condition, immersing the viewer in the weight of its saturation, allowing colour to enact its transformational potential. Subtleties of Venetian light are at play in ethereal, geometrical works carved from natural alabaster while the deep, lagoon blue pigment of Kapoor’s early void hemispheres provide moments of meditative respite.

Many more spaces connect back to themes at the Gallerie dell’Accademia, with spiritual moments and rites of passage expressed in Kapoor’s unique visual language. All roads lead to the central installation of a setting (or rising) sun, which hovers over a mass of spent red wax as it aggregates on the palazzo floor, submerging the historic venue in the primal stuff of life and death.

The exhibition has been organised in collaboration with Anish Kapoor Studio and Lisson Gallery, with support from Galleria Continua, Galleria Massimo Minini, Kamel Mennour, Kukje Gallery, Regen Projects and SCAI The Bathhouse.

Supported by LG OLED.

The exhibition is accompanied by a catalogue published by Marsilio with essays by: Gil Andijar; Homi K.Bhabha; Linda Borean; Giuseppe Civitarese; Mario Codognato; Waldemar Januszczak; Norman Rosenthal; Carlo Rovelli and Michele Tavola.

The exhibition runs from 20 April – 9 October 2022. Find further information via Gallerie dell'Accademia.

VIDEO

"Cecilia Bengolea | La Danse des Éléments" at Esch-Belval & Mudam Luxembourg